Tag: Daniel Kaluuya

Movie Review – ‘Widows’ – Windy City Heat

Directed by Steve McQueen
Written by Gillian Flynn & Steve McQueen, based on the television series created by Lynda La Plante
Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Liam Neeson, Manuel Garcia-Rulfo, Jon Bernthal, Garret Dillahunt, Michael Harney, Lukas Haas, Matt Walsh, Adepero Oduye, Ann Mitchell, Kevin J. O’Connor
Soundtrack: Hans Zimmer

Dear Lord, is anyone (other than Kevin J. O’Connor) in this movie actually from Chicago?

It’s a very specific accent.  It’s not like New York where anybody can just throw it on and be passable, you pretty much need to grab real Chicagoans to do it.  I mean, if the movie took place in Chicago and everybody just had a neutral accent, I’d be fine with it, but the fact that some people do and some people (none of whom are portrayed by Americans) have incredibly hackneyed (borderline comedic, to be honest) Chi-Town accents (like why does Robert Duvall sound like Robert Duvall but his son played by Colin Farrell sounds like a cartoon villain?), and then Garret Dillahunt is doing his West Texas thing, what are we doing?

So, that’s one problem I have.

Shocking as it may be, I did not see 12 Years a Slave, or any other of his films, so I’m unfamiliar with Steve McQueen (the director, not the actor), but I did see Gone Girl (one of the best films of 2014), so I am familiar with the screenwriter Gillian Flynn.  Suffice it to say, Widows is no Gone Girl (although it is better than The Girl on The Train, which is something), which is fine, but it falls in the long line of movies based on BBC miniseries that feel like truncated versions of miniseries (e.g. Edge of Darkness and Tinker, Tailor, Soldier, Spy).

Make no mistake, I’m not saying Widows is a “bad movie”.  There’s a lot to like (Daniel Kaluuya in particular steals every scene he’s in and I’m a little upset he’s not in the movie more), but there’s also a lot that feels lazy or not quite entirely thought out.  Perhaps most emblematic of this (other than the questionable accents) is the music.  I like Hans Zimmer fine, but much of the score for Widows just feels like B-sides from The Dark Knight and Dunkirk.  Also, there’s an effort to make some political and social commentary, some of which works in a matter-of-fact way, but most of it just feels clunky.

In the end, it’s entertainment, and it’s okay, but it’s nothing life-changing.  You can wait til it’s at the Redbox or on Netflix.

Rating: ★★★☆☆

Movie Review – ‘Black Panther’ – Rising Like Olympus

Directed by Ryan Coogler
Written by Ryan Coogler & Joe Robert Cole, based on the comics by Stan Lee and Jack Kirby
Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Angela Bassett, Forest Whitaker, Andy Serkis, Florence Kasumba, John Kani, David S. Lee, Nabiyah Be, Isaach De Bankolé, Connie Chiume, Dorothy Steel, Danny Sapani, Atandwa Kani, Ashton Tyler, Denzel Whitaker, Seth Carr, Alexis Rhee
Soundtrack: Ludwig Göransson

I don’t know if anybody had the vision in 1998 that in twenty years time Marvel would be eighteen movies deep into a run of who-knows-how-many dozens of connected films grossing billions-upon-billions of dollars at the box office, but I do know that it all started with Blade.

That’s right.  The financial success of Blade was enough to convince Marvel that this whole movie thing was worth getting into (after some, shall we say, false starts in the 80s and early 90s).  Ten years later, bing-bang-boom, we’ve got Iron Man, and the Marvel Cinematic Universe is off to the races.  Ten years on from there, enter Black Panther.  In a way, you could say it’s all come full circle.

But enough about that.  Is the movie any good?

Yes, very much so.

Black Panther is decidedly among the better MCU films thus far, is refreshingly story-driven, and has the most stand-alone feel of its peers since the original Guardians of the Galaxy in 2014.

More than that though, it’s got a lot of meat to it.

For one thing, the basic story is downright Shakespearean (King dies, Prince ascends the throne, and so on and so forth), but the film also delves into such real-world issues as the African vs. African-American experience, political isolationism, and violent vs. non-violent revolution, all naturally worked into the script without feeling like they were tacked on by some committee.

Of course, Black Panther is also a superhero movie, and a pretty good one at that.  I wouldn’t call it entirely perfect (some of the visuals felt a little lacking, and a few creative choices felt a bit off), but I liked that it was something of an origin story without starting all the way back at square one, and I particularly enjoyed the array of enjoyable characters (unlike some other movie).

If I have a couple of nitpicks, for one, it bums me out that seemingly everybody can put on an effective accent except for Chadwick Boseman as the titular character (although Forest Whitaker for some reason decided to sound like an Afrikaner…weird), and, second, I felt like Michael B. Jordan’s performance was a little too “I’m from the streets!”  I thought a little subtlety could have gone a long way there, but, like I said, these are nitpicks.

Overall, I have to hand it to Ryan Coogler for making yet another quality film that’s undoubtedly part of a larger franchise but also has enough legs to stand on its own, and credit to Marvel for letting him do it his way.  I was feeling pretty superhero-fatigued heading in, and I was worried there wouldn’t be enough to overcome that, but, in that respect, the movie triumphed.

Hail to the King, baby.

Rating: ★★★★☆

P.S.
Of course stingers, duh.

P.P.S.
As usual, thanks to Alamo Drafthouse for the glass.