Tag: Megan Gallagher

Larry Cohen Twofer – ‘The Ambulance’ and ‘Original Gangstas’ – Perpetual Motion


There’s no shortage of love for writer/director/producer Larry Cohen in this space.

It’s now a couple of months on since his passing, and I think we can safely say that while not all of his movies were great (some may have even been downright bad), he always exuded a true independent spirit while making films intended to be entertaining, his last two theatrical features being no exception.

Let’s take a look, shall we?

Original Release Date: March 22, 1990

Many filmmakers have done great New York movies (William Friedkin and Martin Scorsese perhaps chief among them), but few could do NYC on a budget like Larry Cohen (though this one did have a little more money behind it than usual).

Which is not to say that The Ambulance is on the level of The French Connection or Taxi Driver (far from it, to be honest), but there is a certain
je ne sais quoi about it that still resonates with those familiar with the city today.

Eric Roberts plays a Marvel Comics illustrator (before you even ask, yes, Stan Lee is in the movie in his first film appearance) who meets a girl on the street. She collapses and is taken away in a ambulance. The only trouble is that he can’t seem to find her in any known hospital, thus igniting the mystery plot.

If I have one big issue with The Ambulance, it’s that the tone is a bit muddled. It’s a little more lighthearted than you’d expect, which isn’t the worst thing, but overall the movie would have benefited from a harder edge.

However, the cast is solid, especially James Earl Jones in a literal scenery-chewing role, and there’s some classic death-defying practical stunt-work; and, on the whole, the film just looks good (shout-out to cinematographer Jacques Haitkin, who does action unit work on a lot of big movies these days).

It’s not Larry Cohen’s best movie, but, like much of his work, it’s fun, enjoyable, and an interesting time capsule of pre-Giuliani New York.

Rating: ★★★½ (out of five)



Original Release Date: May 10, 1996

So, it’s Super Bowl weekend, and I’m sitting in a Pam Grier marathon at Alamo Drafthouse Yonkers. Movie #1 was Jackie Brown, which is great, but basically impossible for any other film to follow; Movie #2 was Friday Foster; and Movie #3 was Scream Blacula Scream. After #2 and #3, I said to myself, “You know, I think I would have enjoyed those a lot more had they been directed by Larry Cohen.”

Enter Movie #4: Original Gangstas, his last theatrical feature (Movie #5 was Black Mama, White Mama, just in case you were curious).

Shot on location in Gary, Indiana (the murder capital of the U.S. at the time, and sadly still deeply struggling today), Original Gangstas is mainly a big Blaxploitation reunion, featuring an incredible top-to-bottom cast, including Fred Williamson (Hammer), Jim Brown (Slaughter), Pam Grier (Coffy), Paul Winfield (Gordon’s War), Richard Roundtree (Shaft), and Ron O’Neal (Super Fly).

It may seem like an odd fit for someone like Larry Cohen to direct, but he and Fred Williamson go all the way back to Black Caesar and Hell Up in Harlem in 1973, so he’s well familiar with the tradition at play, and of course he brings his trademark budget-efficient panache to the Midwestern venue; in particular getting a lot of mileage out of Gary’s abandoned Union Station.

Original Gangstas was a flop at the time of it’s release, and I can understand why (I mean, it’s no Boyz n the Hood); for one thing, the synthesized music score hasn’t aged well at all, and thematically it’s a bit messy, but, again, it’s entertaining, and it’s fun to see so many familiar faces (both young and old).

I’ll admit, I may be over-hyping it, but in this case I’m not going to feel bad about it.

Because we love Larry Cohen.

Rating: ★★★★☆

New & Old Twofer – ‘King Cohen’ and ‘God Told Me To’

King Cohen: The Wild World of Filmmaker Larry Cohen

Written and Directed by Steve Mitchell
Interviewees: J.J. Abrams, Rick Baker, Eric Bogosian, Barbara Carrera, Larry Cohen, Joe Dante, James Dixon, F.X. Feeney, Robert Forster, Megan Gallagher, Mick Garris, Yaphet Kotto, Paul Kurta, John Landis, Laurene Landon, Traci Lords, Michael Moriarty, Frank Pesce, Tara Reid, Eric Roberts, Martin Scorsese, Fred Williamson
Soundtrack: Joe Kraemer

Even before seeing this documentary, I was reasonably familiar with Larry Cohen, as I’d seen his collaborations with Bill Lustig (aka the Maniac Cop trilogy and Uncle Sam), as well as (and perhaps more importantly) The Stuff, which he wrote, produced, and directed (as he often did), and which I have great affection for.

If you’re completely unfamiliar with Larry Cohen (which I imagine is most people), he’s mostly known for being a purveyor of low-budget exploitation films throughout the Seventies and Eighties, but he actually started out as a mainstream television writer (including creating a little series called Branded), and he’s continued to sell screenplays throughout the Nineties and into the Aughts (most notably Phone Booth).

More often than not telling stories on the streets of New York (where he was born and raised), Cohen was notorious for shooting without permits and stealing whatever shots he could to add production value without adding to the budget, giving his films a realism and an energy beyond many other similarly budgeted projects.

The documentary itself isn’t as out-and-out entertaining as, say, Electric Boogaloo, but this is more than made up for by the content, as Larry’s career arc is quite fascinating unto itself.  Mostly though, King Cohen is a testament to choosing artistic control over more money, and a record of a time gone by when Americans were allowed to enjoy a little more everyday danger (before the terrorists won).

Whether you’re an aspiring filmmaker, a cinephile, or just a fan of documentaries, this is a worthwhile watch all-around.

Rating: ★★★★☆

 

God Told Me To

Original Release Date: October 22, 1976
Written and Directed by Larry Cohen
Cast: Tony Lo Bianco, Deborah Raffin, Sandy Dennis, Sylvia Sidney, Sam Levene, Robert Drivas, Mike Kellin, Richard Lynch, Sammy Williams, Harry Bellaver, Andy Kaufman, Randy Jurgensen, Mason Adams
Soundtrack: Frank Cordell

I’d seen the trailer for this at many an Alamo Drafthouse pre-show and always laughed it off, but, to my surprise, God Told Me To is highly watchable, engaging, and, in general, probably much better than it has any right to be (although the final button didn’t make much sense to me, but I’m feeling generous, so I can forgive that).

The film starts out as something of a police procedural.  There’s a string of mysterious mass murders perpetrated by separate and unrelated people.  The only element that connects them is they all tell NYPD Det. Peter Nicholas (Tony Lo Bianco, in one of his best performances) that “God told me to,” before they themselves die.  Det. Nicholas, being a devout Catholic (yet maintaining an extra-marital affair; it’s complicated), is understandably shaken by this, yet is nevertheless determined to discover the truth behind the murders, be it God, Satan, mass hysteria, or something else entirely.

I won’t say anymore about the plot as it would spoil the movie (spoiler alert: they reveal it in the aforementioned documentary), but, suffice it to say, the movie most likely does not go where you think it will, and as such is an enjoyable ride.

Is it a masterpiece?  Hardly, but if nothing else it’s noteworthy for featuring Andy Kaufman in his first role (in one of those trademark grandiose Larry Cohen stolen sequences), and, as Cohen’s films often do, it punches above its weight class.

Rating: ★★★½