Tag: Emily Blunt

Movie Review – ‘A Quiet Place’ – “He’ll rip your lungs out, Jim”

Directed by John Krasinski
Written by Bryan Woods & Scott Beck (story and screenplay), and John Krasinski (screenplay)
Cast: Emily Blunt, John Krasinski, Noah Jupe, Millicent Simmonds, Leon Russom
Soundtrack: Marco Beltrami

It’s not technically his inaugural feature (which is probably why it feels so self-assured), but, as far as the general public is concerned, A Quiet Place is John Krasinski’s directorial debut, and what a debut it is.

The horror genre, at least as far back as the 1950s, has often been rooted in gimmicks (cheap or otherwise), sometimes straight-up recycled, but in the case of A Quiet Place, more so sliced, diced, and sautéed.  After all, this isn’t the first movie to feature monsters hunting by sound (and it probably won’t be the last), but A Quiet Place takes the necessity of silence to a new level.

I’ve said it before in regards to The Man From U.N.C.L.E that sometimes style can effectively become substance, which is fair to say of A Quiet Place, although that’s not to say it’s without some legitimate depth.  The core story is really a family drama that you could port into a myriad of other scenarios, this one just happens to be a post-apocalypse with creepy sound hunters, but nonetheless there are actual themes and emotions beyond “SPOOKY MONSTERS SCARE ME”, which is pleasantly surprising.

As far as performances go, everybody’s on point to the point that it’d be hard to ask for much more given the material and the sparseness of the cast (it’s really just the one family for the whole movie).  Everybody’s appropriately taking it seriously and the family dynamics in particular feel genuine, not to mention Krasinski and Blunt bring a natural chemistry from their real-life matrimony into their on-screen version.

Beyond that though, I’m happy to report the movie was shot on 35mm, and it does generally look pretty great.  As far as digital photography has come in terms of daylight shooting, the night shoots still give it away, and in a film like this it absolutely makes a difference.

If I have any nitpicks, for one, I wish the studio would have kicked in more of a budget for the aliens, not that we need to see them more, but, I don’t know, I felt like, at least theoretically, they could have been done better; and second, there were a couple of moments where the inherent schlockyness of the premise shined through, and it felt out of character given everything else in the movie, but that’s about it.

It’s not earth-shattering by any stretch, but on the whole A Quiet Place is of a quality I wish we saw more of in contemporary genre films, and it’s certainly worthy of a theatrical experience.

So, go get some friends together, find yourself a nice, dark moviehouse, and, by all means, STFU.

Your life may depend on it.

Rating: ★★★★☆

Twofer Movie Review: ‘Green Room’ and ‘The Huntsman: Winter’s War’ – Dark & Stormy

So, we’ve got two movies this weekend, one not quite yet going wide and the other going full spread; both look like they could use a little boost.

Green Room

Written and Directed by Jeremy Saulnier
Cast: Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner, Mark Webber, Imogen Poots, Taylor Tunes, Macon Blair, Eric Edelstein, David W. Thompson, and Sir Patrick Stewart
Soundtrack: Brooke Blair and Will Blair

I know this movie’s really good because I already want to go see it again.

Let it be said that writer/directer Jeremy Saulnier likes what he knows and knows what he likes, namely hardcore punk, grisly violence, and ratcheting up tension.

This was true in his sophomore effort, ‘Blue Ruin‘, and it’s even more true for ‘Green Room’.

Everybody knows that horror is not exactly my bailiwick, but ‘Green Room’ is my kind of serious bloody thriller: no stupid jump-scares, no dumb CGI monsters, and no torture porn.  It’s just a simple story about a punk band in the wrong place at the wrong time.  As much as I enjoy big movies with big struggles (gotta save the earth, again), I also enjoy movies where small things become dramatic elements (like in ‘A Most Wanted Man‘, I never knew how important someone merely signing a piece of paper could feel).  ‘Green Room’ revels in the small details.  There are no waves of nameless, faceless drones; everything is personal.

Now, it’s not like we haven’t seen this kind of movie before (‘Assault on Precinct 13‘ comes to mind), but what makes ‘Green Room’ unique is the cultural setting (hardcore punk scene), and the performances, namely of one Sir Patrick Stewart as a neo-Nazi club owner.  He has such presence in general whenever he appears on screen, but in this case he’s that villain you love to hate.  I think he truly relished the role and it shines through in every frame he appears.

Order of the British Empire aside, I’d be remiss if I didn’t praise the efforts of our band of survivors, Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner, and Imogen Poots.  I’m not saying there’s anything Oscar-worthy happening here, but they all put in solid performances as, punk aesthetics aside, otherwise ordinary people in an extraordinary situation.

Ultimately, I like ‘Green Room’ because it’s a movie that punches above its weight class.  It’s small and not too flashy, but it delivers big.  Whether you’re into more slasher type horror or traditional Hitchcockian thrillers, or if you just like hardcore punk, you should definitely see it, although I bet it’ll make you think twice about stepping foot in a skinhead club ever again.

Rating: ★★★★☆

 

The Huntsman: Winter’s War

Directed by Cedric Nicolas-Troyan
Written by Evan Spiliotopoulos and Craig Mazin, based on characters created by Evan Daugherty
Cast: Chris Hemsworth, Charlize Theron, Jessica Chastain, Emily Blunt, Nick Frost, Rob Brydon, Sam Hazeldine, Sam Claflin, Ralph Ineson
Soundtrack: James Newton Howard

I’m not sure what’s up with all these fairy tale movies and TV shows the past few years, other than the usual trope of Hollywood selling literally anything people recognize (including but not limited to board games), but at least ‘Snow White and The Huntsman‘ tried to interject some original ideas.  The biggest problem with that film, despite how great it looked (way better looking than that ridiculous ‘Hobbit’ trilogy), was it was pretty much just dark and brooding the entire time.

In comparison to its predecessor, ‘Winter’s War’ (which is both a prequel and a sequel; for good measure, I suppose) is bloodier, sexier, and, most importantly, has more humor.  Most of the laughs come from the natural comedic chemistry of Rob Brydon and Nick Frost, but plenty of other characters have moments as well.  This is not to say that ‘Winter’s War’ is a comedy, but it’s nice to have a chuckle once and a while to ease the tension (even Christopher Nolan’s ‘Dark Knight’ Trilogy had moments of levity for the audience).  After all, this is by and large a general audience movie, not some kind of horror film.

Now, I’m not going to put ‘Winter’s War’ in the must-see category, but if you just feel like going to the movies sometime in the next month, it’s an acceptable choice, and even if you haven’t seen the prior film, I’m sure you’ll follow along just fine.  It’s got a good cast, fairly state-of-the-art visuals, and provides enough entertainment to take a flyer on.  Plus, it’s a rare sequel that trumps the first movie.

(I mean, seriously; when are Charlize Theron, Emily Blunt, and Jessica Chastain ever going to be in the same movie again?)

Rating: ★★★½