Tag: Macon Blair

Movie Review – ‘Logan Lucky’ – All The Fun of The Fair

Directed by Steven Soderbergh
Written by Rebecca Blunt
Cast: Channing Tatum, Adam Driver, Seth MacFarlane, Riley Keough, Katie Holmes, Katherine Waterston, Dwight Yoakam, Sebastian Stan, Brian Gleeson, Jack Quaid, Hilary Swank, Daniel Craig, David Denman, Jim O’Heir, Macon Blair, Farrah Mackenzie, Rebecca Koon, Charles Halford, Jon Eyez, William Mark McCullough
Soundtrack: David Holmes

Boy oh boy is it good to have Steven Soderbergh back.

Not that he’d left us entirely, but he hasn’t done a theatrical feature since 2013’s Side Effects (which is GREAT, by the way; I’m sure I’ve mentioned it before), and I don’t really have time for television (what with all the movies I see), so, as far as I was concerned, he was out of sight.  Logan Lucky is not only a welcome cinematic return for him, but, at the tail end of one of the best movie summers I can ever remember, it’s at least a contender for Top Movie of the Season.

Soderbergh’s obviously no stranger to the ol’ heist movie, nor is he a stranger to films with a comedic tone, but Logan Lucky is a special blend of the two that is so enjoyable and light-hearted (without being total fluff) that I would have happily spent more time in my seat just to hang out with the characters a little longer.

This is not to say it’s a perfect film.  The most glaring weakness is Seth MacFarlane.  I think I understand what his character is supposed to be, but it’s rather muddled, and his fake British accent is simply not good enough for a live-action movie (might work for a cartoon, but not here); unless, of course, it was supposed to be fake, but I never got any indication of that.  In a similar vein, I felt like we should have gotten a little more from Sebastian Stan’s character.  I don’t really have an issue with his performance, per se, and perhaps at some point there was a longer cut of the movie where he was featured more, but ultimately he just feels wasted.

But hey, why focus on the bad when there’s so much good?

First and foremost, Channing Tatum as Jimmy Logan is utterly charming.  You can’t help but root for him.  For an actor I didn’t really have an opinion on until the past few years, he has come on strong with roles in Foxcatcher, The Hateful Eight, and Hail, Cesar!, and this film is no exception (I think I might actually be looking forward to Gambit at this point).

On top of that, you’ve got a bunch of fantastic supporting performances, namely from Adam Driver and Riley Keough as the fellow Logan siblings, not to mention the James Bond-sized elephant in the room: Daniel Craig.

Prior to Logan Lucky, I don’t think I’d ever seen a Daniel Craig role that wasn’t dark and brooding in some way, so his performance here is a downright revelation (not to mention his reciprocal accent is head and shoulders above MacFarlane’s).  He’s an absolute scene-stealer.

Also, they don’t get a whole lot of screen time, but Katherine Waterston and Dwight Yoakum do very well with what little they’re given (insert seasoning/food metaphor here).

Quite simply, Logan Lucky is some slick Country-fried fun with likable characters and a classic heist plot in an interesting location.  It might not always be perfectly paced, but it made me laugh quite a bit (which is the end goal of any comedy), and at times it was even a little heartwarming.

And, with a PG-13 rating, it’s good for date nights and family nights alike (as long as your kids are old enough to appreciate it).

Rating: ★★★★½ (out of five)

P.S.
No stinger scene, but the credits are pretty short (relatively speaking), and there’s a funny disclaimer at the end.

Twofer Movie Review: ‘Green Room’ and ‘The Huntsman: Winter’s War’ – Dark & Stormy

So, we’ve got two movies this weekend, one not quite yet going wide and the other going full spread; both look like they could use a little boost.

Green Room

Written and Directed by Jeremy Saulnier
Cast: Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner, Mark Webber, Imogen Poots, Taylor Tunes, Macon Blair, Eric Edelstein, David W. Thompson, and Sir Patrick Stewart
Soundtrack: Brooke Blair and Will Blair

I know this movie’s really good because I already want to go see it again.

Let it be said that writer/directer Jeremy Saulnier likes what he knows and knows what he likes, namely hardcore punk, grisly violence, and ratcheting up tension.

This was true in his sophomore effort, ‘Blue Ruin‘, and it’s even more true for ‘Green Room’.

Everybody knows that horror is not exactly my bailiwick, but ‘Green Room’ is my kind of serious bloody thriller: no stupid jump-scares, no dumb CGI monsters, and no torture porn.  It’s just a simple story about a punk band in the wrong place at the wrong time.  As much as I enjoy big movies with big struggles (gotta save the earth, again), I also enjoy movies where small things become dramatic elements (like in ‘A Most Wanted Man‘, I never knew how important someone merely signing a piece of paper could feel).  ‘Green Room’ revels in the small details.  There are no waves of nameless, faceless drones; everything is personal.

Now, it’s not like we haven’t seen this kind of movie before (‘Assault on Precinct 13‘ comes to mind), but what makes ‘Green Room’ unique is the cultural setting (hardcore punk scene), and the performances, namely of one Sir Patrick Stewart as a neo-Nazi club owner.  He has such presence in general whenever he appears on screen, but in this case he’s that villain you love to hate.  I think he truly relished the role and it shines through in every frame he appears.

Order of the British Empire aside, I’d be remiss if I didn’t praise the efforts of our band of survivors, Anton Yelchin, Alia Shawkat, Joe Cole, Callum Turner, and Imogen Poots.  I’m not saying there’s anything Oscar-worthy happening here, but they all put in solid performances as, punk aesthetics aside, otherwise ordinary people in an extraordinary situation.

Ultimately, I like ‘Green Room’ because it’s a movie that punches above its weight class.  It’s small and not too flashy, but it delivers big.  Whether you’re into more slasher type horror or traditional Hitchcockian thrillers, or if you just like hardcore punk, you should definitely see it, although I bet it’ll make you think twice about stepping foot in a skinhead club ever again.

Rating: ★★★★☆

 

The Huntsman: Winter’s War

Directed by Cedric Nicolas-Troyan
Written by Evan Spiliotopoulos and Craig Mazin, based on characters created by Evan Daugherty
Cast: Chris Hemsworth, Charlize Theron, Jessica Chastain, Emily Blunt, Nick Frost, Rob Brydon, Sam Hazeldine, Sam Claflin, Ralph Ineson
Soundtrack: James Newton Howard

I’m not sure what’s up with all these fairy tale movies and TV shows the past few years, other than the usual trope of Hollywood selling literally anything people recognize (including but not limited to board games), but at least ‘Snow White and The Huntsman‘ tried to interject some original ideas.  The biggest problem with that film, despite how great it looked (way better looking than that ridiculous ‘Hobbit’ trilogy), was it was pretty much just dark and brooding the entire time.

In comparison to its predecessor, ‘Winter’s War’ (which is both a prequel and a sequel; for good measure, I suppose) is bloodier, sexier, and, most importantly, has more humor.  Most of the laughs come from the natural comedic chemistry of Rob Brydon and Nick Frost, but plenty of other characters have moments as well.  This is not to say that ‘Winter’s War’ is a comedy, but it’s nice to have a chuckle once and a while to ease the tension (even Christopher Nolan’s ‘Dark Knight’ Trilogy had moments of levity for the audience).  After all, this is by and large a general audience movie, not some kind of horror film.

Now, I’m not going to put ‘Winter’s War’ in the must-see category, but if you just feel like going to the movies sometime in the next month, it’s an acceptable choice, and even if you haven’t seen the prior film, I’m sure you’ll follow along just fine.  It’s got a good cast, fairly state-of-the-art visuals, and provides enough entertainment to take a flyer on.  Plus, it’s a rare sequel that trumps the first movie.

(I mean, seriously; when are Charlize Theron, Emily Blunt, and Jessica Chastain ever going to be in the same movie again?)

Rating: ★★★½