In Defense of: ‘Ghostbusters Ⅱ’

Original Release Date: June 16, 1989

Directed by Ivan Reitman
Written by Harold Ramis & Dan Aykroyd
Cast: Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts, Peter MacNicol, Harris Yulin, David Margulies, Kurt Fuller, Janet Margolin, Wilhelm von Homburg, Mary Ellen Trainor, Jason Reitman, Aaron Lustig, Richard Foronjy, George P. Wilbur, Walter Flanagan, Bobby Brown, Christopher Neame, Cheech Marin, Brian Doyle-Murray, Ben Stein, Philip Baker Hall, Kevin Dunn, Max von Sydow, Chloe Webb
Soundtrack: Randy Edelman

As I look at my calendar, I see that if not for corona we’d have another Ghost Busters movie to see this weekend.

Will it be good? Will it be another crushing disappointment? Who knows?

But, since we won’t know either way for quite some time, I figure now would be an appropriate time to revisit the original sequel to 1984’s Ghost Busters, that of course being 1989’s Ghostbusters II.

I will concede right off the bat that the biggest weakness of this movie is the biggest weakness of many a sequel: the plot is awfully similar to the first one. The chess board is the same, the moves are the same, it’s just some of the pieces that are a little different.

However, there is plenty to appreciate in its own right.

The first act in particular is a lot of fun, in no small part because we get to spend time with the characters in different and uniquely entertaining ways than the previous movie, since they’re not really Ghost Busters anymore. After the courtroom scene though, things start to get stale, because we’ve kind of seen it all before.

However, even in the highly reminiscent busting montage, there are some cool bits, like the dark grey suits (that I wish we saw more of), the Central Park jogger ghost, and whatever the heck is happening in that china shop.

It may be an obvious, if not lazy choice, but I appreciate that the movie remains deeply entrenched in New York. No doubt the interiors were shot in Los Angeles, like the previous one, but I love the little touches like Ray’s book shop on St. Mark’s Place, and the literal deep cut of featuring the pneumaic transit system in the main plot.

Of course, I’d be remiss if I didn’t mention the absolute best new addition: Dr. Janosz Poha.

He may serve the same story function as Rick Moranis’s Louis Tully in the previous movie (just more knowingly nefarious), but the way Peter MacNichol throws himself into the role is downright admirable. It’s one of the best performances in either of the films.

Also, I know it’s nowhere near the genius level of Elmer Bernstein’s score from the first movie, but I actually enjoy what Randy Edelman brings to the table. Ghostbusters II has a slightly different tone than its predecessor and I think his music reflects that.

Lastly, I’d like to address an oft-repeated criticism of this film.

I frequently hear people say in reference to Ghostbusters II that “Bill Murray phoned in his performance.”

Now, I don’t know the man, so I don’t know for sure, but I hypothesize that this belief is borne out of thirty years of seeing this movie on television, because when I saw it on the big screen I didn’t get the impression that he was checked out. I think his character is attempting to mature from his frat boy ways, and his performance falls in line.

In short, Ghostbusters II may not elevate the material a la Empire Strikes Back or be nearly as quotable as its predecessor (although I think it might technically be the better looking one of the two), but in a world of terrible sequels, remakes, etc., it manages to be entertaining enough on its own.

Rating: ★★★½ (out of five)


P.S.
In ordinary times, I go by the firehouse fairly often.

Classic Movie Quinella – ‘RussellMania’: The Kurt Russell Marathon – Land of the Free

Another Super Bowl Saturday, another actor marathon at Alamo Drafthouse YonkersCaged, Stallone Zone, Van DammageBurt Day, ‘HEY, ARNOLD!‘, and now, RussellMania 2018.

I had sky high hopes for this one, but for the first time in attending these events, I actually left fairly disappointed.  Don’t get me wrong, I love Kurt Russell, I love my new hat, and I got to see four movies I had never seen before (which I do place a certain value on), but overall it just wasn’t quite the same enjoyable ride I’ve become accustomed to over the past five years.

The man himself needs no introduction though, so let’s get into these movies.

 

Movie #1: Tango & Cash (1989)

Right off the bat, I was wrong.

Seeing as how this film lead off Stallone Zone (click the link to read the Tango & Cash review), I figured there was no way we’d see it again here, but, as I said, I was wrong.

I will say, it was interesting watching it again as a Kurt Russell movie rather than a Stallone movie, but I don’t really have anything more to say now than I did in 2014.

Rating: ★★★★☆

 

Movie #2: Breakdown (1997)

I remember my cousin putting this on once at my aunt and uncle’s house, probably around the time it first hit DVD (which was technology beyond my imagination at the time), only I don’t think I watched past the first half hour or so, so I never realized until seeing it on the big screen that Breakdown turns into an action movie by the end (spoilers?).

Before that though, the movie feels extremely Hitchcockian, so much so that you could believe it’s a remake of something Hitch actually made (though to my knowledge it is not and I’ll happily give full credit to writer/director Jonathan Mostow).  The story’s simple enough (I’d actually make a gentle comparison to The Belko Experiment, just in terms of imagining yourself in the same situation), and it doesn’t fall into the trap of becoming too twisty, which I appreciated.

Ultimately, it comes down to personal taste as to whether or not the third act works for you.  I’m okay with it, but I understand others feeling somewhat betrayed by it.

Either way though, I’d still say it’s solid.

Rating: ★★★½

 

Movie #3: Used Cars (1980)

Before Bob Zemeckis and Bob Gale made one of the greatest movies of all time (review here), they had a string of less successful endeavors (I Wanna Hold Your Hand, 1941), culminating with 1980’s Used Cars (although they did write one of my favorite episodes of Kolchak: The Night Stalker).

Used Cars isn’t great, and its definitely a touch bloated, but it’s not without its charms.  For one thing, it’s Kurt’s first R-rated performance, which is interesting to see at odds with his still-lingering Disney good guy persona, and it’s got Jack Warden doing some classic one-actor-playing-twin-brothers schtick, and a good amount of the satirical humor still holds up today.

It also hearkens back to a time when comedy wasn’t strictly a bargain basement genre and studios weren’t afraid to throw in a little more production value when necessary, even for an non-family friendly comedy.

Not everybody will fully enjoy Used Cars because it’s such a product of its time, but for me, that’s why I found it interesting and why I’d give it another watch someday.

Rating: ★★★½

 

Movie #4: Executive Decision (1996)

Speaking of the kinds of movies that don’t get made anymore, let’s talk Executive Decision (which is one I was hoping for, for better or worse).

Stuff like this just has a certain je ne sais quoi that feels missing from Hollywood of the present (the fact that it was made pre-9/11 definitely has something to do with that).  It’s not like we have a dearth of action movies these days, but Executive Decision takes itself seriously in both story and tone where a movie today would have a wink and a nod (it’s no surprise that the last similar example I can think of, Behind Enemy Lines, was also a story by Jim and John Thomas).

I think it’s fair to say that Kurt plays against type here, at least relative to the “action man” roles he was known for at the time, but, even in a lame tuxedo and nerdy spectacles, he’s still cooler than we could ever dream of being.

“All-star cast” may be a stretch (it’s no Airport ’77), but, at the time, Executive Decision certainly had a mix of experienced pros and hot up-and-comers (most notably Halle Berry).  Given that it’s a 90s action movie, I’ll say everyone does a fine job.

That said, let’s call it what it is, “Die Hard on a plane.”

Still worth a watch though, just get comfortable.

Rating: ★★★½

 

Movie #5: Escape from L.A. (1996)

This is not how I wanted the day to end.

I don’t want to merely compare this movie to Escape from New York, but I don’t think it leaves you with much of a choice.

Honestly, Escape from L.A. is depressingly bad in comparison to its predecessor.  New York was a low-budget underdog that managed to find an audience and punch a bit above its weight class.  It stands on its reputation more so than its actual quality, but at the same time it was a fairly progressive movie in terms of film-making, what with the use of the Panaglide (an early “cousin” of the Steadicam) and new techniques that allowed Dean Cundey to shoot many city blocks deep using only streetlamps for lighting; not to mention how the film allowed Kurt Russell to truly pivot away from his Disney comedy roots.

On the other hand, L.A. is essentially The Asylum version of New York, with a copy-and-paste script, horrendous CGI effects, and terribly cheesy performances.  In fact, the only element you can point to as being better than the original is the fact that they shot a scene at the real L.A. Coliseum, but the movie is still so terrible that it doesn’t even matter.

Escape from L.A. is awful, it was rightfully a box office bomb, and if you truly love Escape from New York, you should never ever watch it.

Rating: ★☆☆☆☆

 

So, there you have it.  Not the best day, but definitely not all bad.  Just kind of middling, and therefore not what I expected given Kurt’s body of work.

I guess they can’t all be winners.

 

This hat though, this hat is a winner.