Classic Twofer – Hudson Horror Show: ‘Silver Bullet’ & ‘Fright Night Part 2’

Sometimes curiosity is dangerous, and sometimes it can lead you to some wonderful places.

My own curiosity in these particular films stemmed largely from their relative rarity.  ‘Silver Bullet’ can be found on DVD, but I can’t attest to the transfer quality, and ‘Fright Night Part 2’ appears to be out of print completely.  Regardless, neither movie has gotten a proper Blu-ray release, which is an utter shame.  So, in order to get a high definition viewing experience of each one, I found myself once again at the Alamo Drafthouse (Yonkers) for another abbreviated edition of the Hudson Horror Show.

 

Movie #1: ‘Silver Bullet’

Original Release Date: October 11, 1985
Directed by Daniel Attias
Written by Stephen King
, based on his novel ‘Cycle of the Werewolf’
Cast: Gary Busey, Everett McGill, Corey Haim, Megan Follows, Robin Groves, Terry O’Quinn, Bill Smitrovich, Joe Wright, Kent Broadhurst, Lawrence Tierney, William Newman, James Gammon
Soundtrack: Jay Chattaway

I
Loved
This
Movie.

If you’re a fan of 80s cinema, I can’t recommend ‘Silver Bullet’ highly enough, because it has just about everything you could ask for from such a film: a score from synth veteran Jay Chattaway, a cast chock full of “that guy” actors, Corey Haim in a motorized wheelchair, visual effects from Rick Baker and Rob Bottin, and, if all that weren’t enough, the man himself, Gary Busey as hard drinking “Uncle Red”.

Oh, and did I mention that it’s a Stephen King screenplay adaptation of a Stephen King novel?

That’s right.  In fact, ‘Silver Bullet’ plays out like a Stephen King greatest hits album.  You’ve got a small town attempting to deal with a mysterious threat, an ineffective band of vigilantes, a clergyman under duress, a killer monster, and a pair of children who are the only ones who know the truth.

All of these aspects add up to one of the best and most fun teen horror movies ever made.

Now, I’m not saying it’s perfect.  For one thing, the movie bills itself as a period piece, taking place in 1976, and there aren’t any elements placed in to convince you of this (unlike John Carpenter’s ‘Christine‘); and, on a related note, the story is bookended by some voice-over narration that is as unremarkable as it is extraneous.  Also, and this is admittedly nit-picky, I’d say the werewolf looks fine for this particular movie, but, compared to ‘An American Werewolf in London’ or ‘The Howling’, it feels just a bit lackluster.

However, as a whole, ‘Silver Bullet’ is tough to beat.  It’s got solid performances all around, it’s well-paced and not too long, and, most importantly, it knows exactly what it is, which is a horror film that’s meant to be fun.

Hopefully we’ll get a proper high definition home release in the not too distant future, because this is a movie I’d love to own.

Rating: ★★★★½

 

Movie #2: ‘Fright Night Part 2’

Original Release Date: May 19, 1989
Directed by Tommy Lee Wallace
Written by Tommy Lee WallaceMiguel Tejada-Flores, and Tim Metcalfe, based on characters created by Tom Holland
Cast: Roddy McDowall, William Ragsdale, Traci Lind, Julie Carmen, Jon Gries, Russell Clark, Brian Thompson, Merritt Butrick, Ernie Sabella, Matt Landers
Soundtrack: Brad Fiedel

Tommy Lee Wallace has a decent enough horror resume, having come up alongside John Carpenter on such films as ‘Halloween’ and ‘The Fog’, making his directorial debut with ‘Halloween III: Season of the Witch’, and, eventually, helming the television adaptation of Stephen King’s ‘It’ in 1990.  Frankly, with a C.V. like that, I expected a little more out of ‘Fright Night Part 2’ than what I saw.

The original ‘Fright Night‘ is one of the better major studio horror films of the Eighties, and one of its biggest strengths is a nice, tight script, in addition to a lot of wonderful practical visual effects.

By contrast, ‘Part 2’ has a similar sense of style, but the story is much more meandering, often frustratingly so, to the point that the movie doesn’t really jell overall.  It’s very much a classic “It happened again!?” sort of sequel, which I’m okay with, but I think they actually go a little too far in trying to connect it to the original movie.

However, there are particular elements and scenes that are creative enough on their own to make the movie worth seeing once.  Naming Brian Thompson’s character “Bozworth” was a nice touch, the bowling stuff is hilarious, and, as I said, practical effects still rule the day.

It may be a bit of a letdown after watching the original ‘Fright Night’ (or ‘Silver Bullet’), but I’d still recommend this one for 80s horror fans, and I hope it gets a proper home release someday as well.

Rating: ★★★☆☆

 

So, that’s about it.  Thanks again to Alamo Drafthouse Yonkers and Hudson Horrow Show for putting on another entertaining event, and I look forward to more in the future.

 

Classic Movie Review – ‘Planet of the Apes’ – Make America Ape Again

Original Release Date: April 3, 1968

Directed by Franklin J. Schaffner
Written
by Michael Wilson and Rod Serling, based on the novel La Planète des Singes aka Monkey Planet by Pierre Boulle
Cast: Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, Linda Harrison, Robert Gunner, Lou Wagner, Woodrow Parfrey, Jeff Burton, Buck Kartalian, Norman Burton
Soundtrack: Jerry Goldsmith

It’s no secret that 1968 is on record as one of the most volatile years in the history of the United States (save maybe for 1814, when the Redcoats actually burned down the White House).  From the Vietnam War, to the assassinations of MLK and RFK (and subsequent riots in the case of the former), to the violent demonstrations at the Democratic National Convention, much of the country was at a fever pitch.  And in the midst of this landscape of rancor, a movie like Planet of the Apes was released into the wild.  A film that, like many great science fiction stories, asks questions of the time in which it was written.

Even if you’ve never seen it, you’re likely familiar with Planet of the Apes through shear cultural osmosis.  You probably even know what the big twist is, which I was concerned about in relation to seeing the movie again, but I will emphatically say that knowing how the movie ends does not spoil the experience of watching it (it passes “The Usual Suspects test” with flying colors).

One thing I never realized before seeing it on the big screen is that one of the credited screenwriters for Planet of the Apes is Rod Serling, which makes perfect sense, given that he’s the man behind The Twilight Zone.  The movie is pretty much a feature-length episode of that show (except in color)

What also makes perfect sense is the movie’s use of a cold open.  I’m generally a fan of cold opens anyway, but the way it’s used in Planet of the Apes is perhaps the most logical application I’ve ever seen, because it establishes that the astronauts are on their way home (Charlton Heston aka “Taylor” is about to join his crew in hypersleep), before going to a space montage underneath the opening credits, then once the credits are done, the story moves to the crash landing on the mysterious planet.  Those are some quality creative decisions right there.

Anyway, as I said, Planet of the Apes is a classic science fiction story.  A crew of astronauts crash land on an unknown planet and discover that apes rule civilization while humans are feral animals.  Needless to say, the very existence of these outsiders threatens to unravel all of ape society.

The success of the movie, besides the story, comes down to two primary factors: the ape costumes/makeup (which, though dated, still largely work), and Charlton Heston.  Say what you want about his politics (although you might be surprised to learn he attended the March on Washington in 1963), Heston always had a commanding screen presence as an actor, and it’s put to full use in Planet of the Apes.  You can’t help but root for the guy, even if he’s kind of a weird jerk when the astronauts first arrive on the planet.  And I take issue with people who say he’s humorless.  Sure, you probably wouldn’t cast him in an out-and-out comedy, but he’s got a dry sense of humor that works in movies such as this.  I think one of my favorite moments is when he tells a young ape, “Don’t trust anyone over thirty.”

I’d also be remiss if I didn’t at least mention Jerry Goldsmith’s score, which could be described as avant-garde in all the right ways, and helping to generate a very primal tone (if not downright primordial at times, especially towards the beginning).

In the end, there’s not much more I can say that hasn’t already been said about this movie.  It may not be perfect, it may not have aged well in every respect, but it still works, and it still has plenty to say to us as a society.  And even if you’re not looking to generate a political dialogue, it’s plenty entertaining.  A great Saturday afternoon movie if there ever was one.

Rating: ★★★★☆


P.S.
Shoutout to Mondo Tees for these awesome shirts.  I’m totally wearing mine on Election Day.
Make America Ape Again